Client: Fox Racing
My long time friend and creative partner Eric Miró and I helped Fox Racing visualize the happy place, downhill mountain bike world champion Tahnee Seagrave goes to, to quiet her mind and prepare for her next challenge.
Role: 3D Design, VFX, Rendering
Software: Maya, Redshift, After Effects
See more of Eric’s work here.
Client: NYU McSilver Institute for Poverty Policy and Research
The McSilver Institute asked me to create a series of character animation videos which address a variety of social issues. Their ask was for a simple 2D look, but I took it to the next level and suggested using 3D animated characters in a miniature world, with an almost stop motion feel. They let me run with it. I used Rokoko Studio’s real-time facial motion capture software linked to an iphone with depth camera, to record the lip-sync performance, which was then processed and transferred to my rigged characters in Maya. Such a fun process!
Role: Production Design, 3D Character Creation, Modeling, Texturing, Lighting, Animation.
Software: Maya, Redshift, Rokoko Studio, After Effects
Client: Revelyst/Fox Racing/Bell/Giro
This spot was created for a pitch to Disney for a new line of helmets inspired by Disney franchise characters.
Role: 3D Design, VFX, Rendering, Editorial
Software: Maya, Redshift, After Effects, Premiere Pro
Client: Wax
I worked on this series of spots for Invisalign with Wax . This one called for sky replacement, fluid simulations for ominous swirling cloud formations and of course, acustom end tag aligner animation.
Role: Animation, Camera Tracking 3D Modeling,VFX, Animation, Materials&Lighting, Rendering
Software: Maya, Redshift, After Effects
Client: Wax
I worked on this series of spots for Maybelline NY with Wax . These called for VFX supervision on-set for HDRI image capture and lighting and texturing giant oranges and cosmetics placed on the streets in downtown NYC.
Role: Live-Action VFX Supervision, Camera Tracking 3D Modeling, Animation, Materials&Lighting, Rendering, Compositing
Software: Maya, Redshift, After Effects
Client: NYU McSilver Institute for Poverty Policy and Research
The McSilver Institute asked me to create a series of character animation videos which address a variety of social issues. Their ask was for a simple 2D look, but I took it to the next level and suggested using 3D animated characters in a miniature world, with an almost stop motion feel. They let me run with it. I used Rokoko Studio’s real-time facial motion capture software linked to an iphone with depth camera, to record the lip-sync performance, which was then processed and transferred to my rigged characters in Maya. Such a fun process!
Role: Production Design, 3D Character Creation, Modeling, Texturing, Lighting, Animation.
Software: Maya, Redshift, Rokoko Studio, After Effects
Client: NYU McSilver Institute for Poverty Policy and Research
The McSilver Institute asked me to create a series of character animation videos which address a variety of social issues. Their ask was for a simple 2D look, but I took it to the next level and suggested using 3D animated characters in a miniature world, with an almost stop motion feel. They let me run with it. I used Rokoko Studio’s real-time facial motion capture software linked to an iphone with depth camera, to record the lip-sync performance, which was then processed and transferred to my rigged characters in Maya. Such a fun process!
Role: Production Design, 3D Character Creation, Modeling, Texturing, Lighting, Animation.
Software: Maya, Redshift, Rokoko Studio, After Effects
Client: Dell/Frehaus Media
Role: CG Creative Direction, Animation, Materials&Lighting, Rendering, Design
Software: Maya, Redshift, Photoshop, Illustrator, After Effects
Client: Wax
I worked on this series of spots for Invisalign with Wax . This one called for a soccerball/meteor entering earth’s atmosphere and of course, a custom end tag aligner animation.
Role: Animation, Camera Tracking 3D Modeling,VFX, Animation, Materials&Lighting, Rendering
Client: Lauchlan/AMD
Role: CG Creative Direction, Animation, Texturing, Lighting, Rendering, Design
Software: Maya, Redshift, Photoshop, Illustrator, After Effects
Client: Dell/Frehaus Media
Role: CG Creative Direction, Animation, Materials&Lighting, Rendering, Design
Software: Maya, Redshift, Photoshop, Illustrator, After Effects
Client: Laura Mercier
Role: CG, Editorial + Motion Design
Software: Maya, Redshift, Photoshop, Illustrator, After Effects
Client: WK Interact
Role: Rigging, Animation, Rendering, Compositing, Motion Graphics, Sound
Software: Maya, Redshift, Photoshop, Illustrator, After Effects
Client: VW/Gentleman Scholar
Role: Maya Lighting and Texturing in V-Ray
Software: Maya, Photoshop
Client: WAX/St Germain
Role: CG Creative Direction, Animation, Materials&Lighting, Rendering
Software: Maya, Redshift, Photoshop, After Effects
Client: Dell/Frehaus Media
Role: CG Creative Direction, Animation, Materials&Lighting, Rendering, Design
Software: Maya, Redshift, Photoshop, Illustrator, After Effects
Client: Dell/Frehaus Media
Role: CG Creative Direction, Animation, Materials&Lighting, Rendering, Design
Software: Maya, Redshift, Photoshop, Illustrator, After Effects
Client: Dell/Frehaus Media
Role: CG Creative Direction, Animation, Materials&Lighting, Rendering, Design
Software: Maya, Redshift, Photoshop, Illustrator, After Effects
Client: Dell/Frehaus Media
Role: CG Creative Direction, Animation, Materials&Lighting, Rendering, Design
Software: Maya, Redshift, Photoshop, Illustrator, After Effects
Client: General Idea [Internal Project]
Role: Concept, Animation, Modeling, Rigging, Materials, Lighting, Rendering, Composite
-Maya, After Effects, Octane, Substance Painter
Client: Theory
Role: Motion Design
Software: After Effects
Client: Personal Project
Role: Concept, Animation, Modeling, Rigging, Materials, Lighting, Rendering, Composite
-Maya, Redshift, After Effects
Client: Jonathan Brill - Book Cover Art
Role: Modeling, Materials, Lighting, Rendering, Composite
-Maya, Photoshop, Redshift Renderer
Client: Personal Project
Role: Concept, Animation, Modeling, Rigging, Materials, Lighting, Rendering, Composite
-Maya, Redshift, After Effects
Client: AMC/One Fine Day
Role: Smoke and Fire FX, Tracking, Matte Painting, Composite
Software: Maya, After Effects, Photoshop
Client: Loyal Kaspar
Role: Game Sequence 3D Animation, Modeling, Rendering, Camera Animation
Software: Maya, Redshift, After Effects
Client: Smith
Role: 3D Animation, Rigging, Materials, Lighting, Rendering
Software: Maya, Redshift, After Effects
Client: DDG
Role: 3D Animation, Rigging, Rendering
Software: Maya
Client: Toyota/Mutually Assured Destruction
Role: 3D Lead, Modeling, Animation, Materials, Lighting, Rendering
Software: Maya, Octane Render, After Effects
Client: IBM/Gather
Role: Animation
Software: Maya, After Effects
Client: 1st Avenue Machine
Role: Animation Direction, Concept, Previs, Eagle Trainer
Software: Maya, Redshift, After Effects
Client: Personal Project
Role: Concept, Modeling, Rigging, Animation, Materials, Rendering
Software: Maya, Vector Render, After Effects
Client: Puma/Smith
Role: 3D Lead
Software: Maya, After Effects
Client: HBO/One Fine Day
Role: 3D Lead, Animation, Simulation, Materials, Lighting, Rendering
Software: Maya, After Effects
Client: Adidas
Role: Designer, Animator
Software: After Effects, Photoshop
Client: Special Guest
Role: Previs, Animation Direction, Live-Action Choreography
Software: Maya, After Effects
Client: VH1
Role: Animation Director, Animation Lead, Modeling, Rendering
Software: Maya, Mental Ray, After Effects
Client: Lauchlan
Role: Design, Animation
Software: Maya, After Effects
Client: Community Health/Scofield
Role: 3D Lead, On-Set Supervisor, Fluid Simulation, 3D Animation, Materials, Lighting, Rendering
Software: Maya, Realflow, After Effects
Client: Special Guest
Role: Motion Design, 3D Camera Previs
Software: Maya, Mash, After Effects, Illustrator
Client: CAT/Odd Machine
Role: Live Action Supervisor, 3D Lead
Software: Maya, After Effects
Client: Cartoon Network
Role: Animation Director, Animation Lead, 3D/2D Animation
Software: Maya, Mental Ray, After Effects
Client: Smith Design
Role: 3D Modeling, Animation, Rendering and Composite
Software: Maya, Redshift, After Effects
Client: AMC/One Fine Day
Role: 3D Tracking, Modeling, Animation, Lighting, Rendering, Composite
Software: Maya, V-Ray, After Effects
Client: Loyal Kaspar
Role: Animation Lead, Layout, Materials, Lighting
Software: Maya, V-Ray
Client: IBM/Gather
Role: Animation
Software: After Effects
Client: Tommy John
Role: 3D Modeling, Rigging, Materials, Lighting, Rendering
Software: Maya, Redshift, After Effects
